观众热议的美国年度音乐电视大奖女星红毯精彩时装，您喜欢哪款？

欢迎和感谢各位朋友阅读、转发、收藏、关注和留下宝贵评论！[鼓掌][作揖]喜欢英语的朋友可跳过中文直接阅读后附英语原文。

从FKA崔格斯的“幻象编发”到泰拉改造的30年前香奈儿衬衫，2025年VMA红毯再次成为时尚与艺术的狂欢舞台，每一套造型都在挑战传统与创意的边界。

瑞典知名女歌手扎拉・拉尔森

美国音乐电视音乐录影带大奖（VMA）的时尚史向来充斥着夸张出格、有时甚至荒诞离奇的造型。即便没有嘎嘎小姐的“生肉装”或布兰妮·斯皮尔斯的“蟒蛇配饰”，这场年度盛典依旧少不了极致吸睛的造型设计、趣味十足的配饰，以及对往届大奖经典偶像的致敬元素。

今年的红毯也不例外。从展露内搭的透视长裙到复刻时尚档案库经典的复古造型，今年的VMA红毯可谓趣味与大胆性感兼备。

FKA崔格斯

一、FKA崔格斯的“幻象编发”

对于特立独行的歌手FKA崔格斯而言，戴耳机隔绝红毯喧嚣本就符合她的风格。但此次她的造型并非真耳机，而是自封“发型狂人”的路易·苏韦斯特打造的又一先锋之作。这位造型师始终游走在发型设计与雕塑艺术的边界。

正是这位设计师曾为崔格斯打造过一侧剃光的“骷髅头辫发”，此次他不仅将崔格斯的辫子编织成头戴式耳机的形状，还利用前部玉米辫与后部尖刺状发束的对比，进一步强化了“耳机”的视觉幻象。

造型细节堪称极致：两条细辫垂落，直至隐入崔格斯的酒红色低腰裤中，宛如耳机的音频线。此外，崔格斯身着露腹抹胸上衣，在垫肩的衬托下，其极具艺术感的发型轮廓被勾勒得恰到好处。

赛布丽娜·卡彭特

二、赛布丽娜·卡彭特的歌舞女郎风改编造型

近年来，赛布丽娜·卡彭特的红毯标配多为露背吊带裙或抹胸长裙。因此，此次她身着长袖高领拖地长裙亮相，且礼服颜色与红毯几乎浑然一体，既令人意外，又倍感新鲜。

但这并不意味着这件华伦天奴礼服过于保守：礼服上精心排布的串珠与花卉刺绣，搭配红色透视面料，若隐若现地展露肌肤。即便如此，在时尚日历中向来以“非正式”著称的VMA上，这款礼服依旧算得上最优雅的造型之一。

卡彭特搭配一条淡紫色羽毛围巾，为造型增添了趣味感，也注入了几分歌舞女郎的华丽气质。当晚，她斩获三项VMA大奖，包括“最佳流行艺人”与“最佳专辑”。

虚拟女团Huntr/x的奥黛丽·努纳、埃贾与雷伊·阿米

三、虚拟女团Huntr/x的“睡袋装”打破“第四面墙”

《K-pop恶魔猎人》目前已是耐飞历史上观看量最高的作品，其主题曲《Golden》甚至入围了VMA“年度夏日歌曲”奖项。因此，尽管这支女团是动画形象（且为虚构），但作为影片核心女团的Huntr/x“亮相”红毯，似乎也合情合理。

为Huntr/x配音的埃贾、雷伊·阿米与奥黛丽·努纳三人，身着风格互补的“Huntr/x主题”造型亮相，打破了“虚拟与现实”的第四面墙。

不过，真正让影迷在社交媒体上沸腾的，是努纳那件“艺术照进现实”的蓬松外套。这几乎是对她配音的角色米拉“穿睡袋出席纽约大都会艺术博物馆慈善舞会”这一情节的直接还原。

泰特·麦克雷

四、泰特·麦克雷驾驭透视潮流

VMA红毯从来不是保守者的舞台。今年，透视面料（进而显露内搭）成为绝对主流，扎拉·拉尔森与妮基·格拉瑟等人均身着半透明礼服，造型大胆、毫无遮掩。而泰特·麦克雷的白色真丝雪纺造型，或许是其中透视感最强的一款。

在社交媒体上，这款空灵的礼服让麦克雷被比作“希腊女神”（尽管褶皱内衣式上衣与同系列内搭绝非古希腊风格）。据巴黎品牌吕多维克·德·圣塞尔南透露，该造型的礼服全程手工制作，耗时134小时。

对于希望将“内衣风”与绑缚与惩处、支配与臣服、施虐与受虐的“灵感”造型升级为红毯款的名人而言，圣塞尔南已是他们的首选设计师之一。但他绝非只会一种风格：麦克雷的这款定制礼服，出自品牌2026春夏系列。该系列还推出了奥利维亚·罗德里戈今年领衔格拉斯顿伯里音乐节时所穿的结构化皮革迷你裙。

多贾·凯特

五、多贾·凯特演绎80年代 魅力风，携“可食用道具”亮相

多贾·凯特头戴蓬松金发假发，身着巴尔曼刺绣菱形格纹礼服，完美复刻80年代的华丽风情。鉴于她即将发行的专辑《Vie》预计将充满80年代元素，此次造型在一定程度上也是一场巧妙的营销。

后续发生的事同样是营销亮点：在当晚的一个病毒式传播场面中，多贾从口红造型的手包里取出一支魅可口红，对着镜头涂抹后，竟大口咬了下去。片刻后，官方宣布她成为魅可的新任品牌代言人。

该美妆品牌发言人在确认这一合作时透露，多贾·凯特在红毯上“吃”的并非真口红，而是一款可食用的“视觉错觉巧克力道具”，由抖音网红甜点师兼巧克力大师阿莫里·吉雄制作。

南非歌手泰拉用1993年著名模特克劳迪娅穿着的香奈尔衬衫改造的短裙

名模克劳迪娅·希弗相法国巴黎香奈儿1993春夏时装秀的照片

六、泰拉改造香奈儿的复古单品短裙

南非歌手泰拉此次所穿“礼服”的原始单品首次公开（在巴黎时装周）亮相时距今已超过30年，当时这位泰拉尚未出生，而且当时它也并非礼服，而是一件超模克劳迪娅·希弗穿着展示衬衫。

作为获得本届VMA奖的双项提名者，泰拉对香奈儿1993春夏系列的这款无袖衬衫进行了创意改造，赋予这款复古单品新的生命力。由于泰拉的身高远低于身形高挑的克劳迪娅，她得以将这件衬衫勉强改造成一件紧身迷你裙。

此外，作为潘多拉的品牌代言人，泰拉选择佩戴该品牌“护身符”系列珠宝作为配饰，而非克劳迪娅当年搭配的香奈儿金色链条腰带。

韩国与美国女子音乐组合猫眼少女

七、韩国与美国女子音乐组合 “猫眼少女”(Katseye)的团体造型

成功的团体造型需在“个人特色”与“创意统一性”之间找到平衡。总部位于洛杉矶的全球女子组合猫眼少女，在造型师凯尔·卢的打造下，全身身着杜嘉班纳服饰，完美诠释了如何做到这一点。

此前，该组合为盖璞拍摄的广告曾病毒式传播，但此次红毯造型中并未出现牛仔元素，反而有明确的核心主题：缎面黑色面料与亮眼闪钻。在这一主题框架下，每位成员的造型既各具特色，又彼此呼应。

玛农·班纳曼与梅根·梅约克·斯基恩迪尔将锥形胸衣作为外搭，却演绎出不同风格：一人将其隐约露在西装外套下，另一人则将其穿在紧身连衣裙外。拉拉·拉吉的镶钻头饰与鞋子，与丹妮拉·阿万齐尼水晶薄纱礼服的夺目闪耀形成互补；郑允彩的过膝靴与心形领口，与索菲亚·拉福泰扎的结构化礼服在比例上形成巧妙反差。

八、其他值得关注的精彩女星造型

获得年度歌曲奖的韩国女子组合粉墨（BLACKPINK）成员“罗婕”（朴彩英）

美国知名社交名媛、企业家兼艺人帕丽斯・希尔顿

The most talked-about red carpet looks at MTV’s Video Music Awards 2025. By Oscar Holland, Stephy Chung, CNN, Sep 8, 2025。

The MTV Video Music Awards have a rich history of outlandish — and, at times, outright bizarre — fashion. Even without Lady Gaga’s meat dress or Britney Spears’ python, the annual ceremony is guaranteed to deliver over-the-top styling, playful accessories and tributes to icons of VMAs past.

Sunday night was no exception. From underwear-baring sheer gowns to throwbacks from the fashion archives, the event’s red carpet was, this year, fun and risqué in equal measure.

Here are some of the most memorable looks from New York’s UBS Arena.

FKA Twigs’ illusion braids

FKA twigs attends the VMAs in Elmont, New York.

Dimitrios Kambouris/Getty Images

Wearing headphones to block out the red-carpet din would not have been entirely out of character for nonconformist singer FKA Twigs. This was, however, another avant-garde creation by Louis Souvestre, the self-described “hairfreak” who continues to walk a fine line between hairstyling and sculpture.

The man behind Twigs’ part-shaven “skullet” not only arranged the singer’s braids into the shape of over-ear headphones — he also used the contrast between cornrows (at the front) and spikes (at the back) to amplify the illusion.

No detail was overlooked, with two thin braids even dangling down and disappearing into the singers’ low-rise burgundy pants, like jack cables. Twigs’ torso-baring bandeau top, meanwhile, perfectly framed her artful hair between padded shoulders.

Sabrina Carpenter’s showgirl twist

Sabrina Carpenter at the VMAs. New Vision/Getty Images

Sabrina Carpenter has made halter necks and strapless gowns her red-carpet staples of late. So, it was both surprising and refreshing to see her arrive in a long-sleeved, high-necked and floor-length gown in a shade that almost perfectly matched the red carpet itself.

This isn’t to say Valentino’s creation was overly demure: its strategically placed beadwork and floral embroidery combined with sheer red fabric to offer hints of skin beneath. Yet, the dress was also among the most elegant looks at an event traditionally considered among the least formal in the fashion calendar.

Carpenter kept things fun with a lilac boa, bringing some additional showgirl glam on a night she took home three VMAs, including Best Pop Artist and Best Album.

A Huntr/x ‘sleeping bag’ breaks the fourth wall

Audrey Nuna, Ejae and Rei Ami attend the 2025 MTV Video Music Awards at UBS Arena on September 7, 2025 in Elmont, New York. Brian Craig/Getty Images

“KPop Demon Hunters” is now the most watched title in Netflix’s history, with the song “Golden” even nominated in the VMAs’ Song of the Summer category. So, despite being animated (and fictional), it seemed fitting that the movie’s central girl group, Huntr/x, made an appearance on the red carpet.

Ejae, Rei Ami and Audrey Nuna, who provide the band’s singing voices, broke the fourth wall in complementary, Huntr/x-style ensembles.

But it was Nuna’s life-imitates-art puffy jacket — an almost literal nod to her character Mira wearing a sleeping bag to the Met Gala — that sent the movie’s fans into meltdown on social media.

Tate Mcrae embraces the sheer trend

Tate McRae attends the 2025 MTV Video Music Awards at UBS Arena on September 7, 2025 in Elmont, New York.

Dimitrios Kambouris/Getty Images

The VMAs red carpet is no place for prudes. Sheer fabric — and consequently, visible underwear — reigned large this year, with Zara Larsson and Nikki Glaser among those leaving little to the imagination in semi-transparent gowns. But Tate McRae’s white silk chiffon outfit was, perhaps, the sheerest of them all.

Online, the ethereal gown saw McRae compared to a “Greek Goddess” (though the pleated bra top and matching underwear were hardly plucked from antiquity). It took 134 hours to produce, by hand, according to Parisian label Ludovic de Saint Sernin.

Sernin has emerged as a favorite for celebrities looking to elevate lingerie- and BDSM-inspired looks for the red carpet. He is no one-trick pony, though: McRae’s custom dress comes from the very Spring-Summer 2026 collection that spawned the structured leather mini-dress Olivia Rodrigo wore to headline this year’s Glastonbury festival.

Doja Cat brings ‘80s glamour — and an edible prop

Doja Cat attends the 2025 MTV Video Music Awards at UBS Arena on September 7, 2025 in Elmont, New York.

Jamie McCarthy/WireImage/Getty Images

Doja Cat was a picture of ‘80s glamour in a voluminous blonde wig and embroidered, harlequin-patterned dress by Balmain. With her forthcoming album “Vie” expected to be heavily 1980s-inspired, the look was, in part, a piece of clever marketing.

So, too, was what happened next: In one of the evening’s viral moments, the singer took a MAC lipstick out of her lipstick-shaped clutch and began applying it in front of the cameras before taking a hearty bite. Moments later, she was revealed as the new face of MAC.

Confirming the appointment, a spokesperson for the cosmetics firm revealed that Doja Cat’s red carpet snack was, in fact, an edible trompe l’oeil chocolate prop made by the TikTok pastry chef and chocolatier Amaury Guichon.

Tyla turns to (and reworks) archival Chanel

The first time Tyla’s dress appeared in public (at Paris Fashion Week, almost a decade before the South African singer was born) it wasn’t a dress at all, but a shirt. And it was worn by Claudia Schiffer.

For the VMAs, double-nominee Tyla put a creative spin on archival fashion by transforming a sleeveless top from Chanel’s Spring-Summer 1993 collection. Helped by being significantly shorter than the statuesque Schiffer, the singer was able to — just about — re-style it into a skintight minidress.

And as a brand ambassador for Pandora, it was perhaps little surprise that Tyla accessorized with jewels from the brand’s Talisman collection, rather than the gold Chanel chain belt worn by Schiffer.

Katseye’s lesson in ensemble dressing

Effective ensemble dressing balances individuality with creative cohesion. Styled by Kyle Luu and sporting head-to-toe Dolce & Gabbana, the LA-based “global girl group” Katseye showed precisely how it’s done.

Fresh off the back of the band’s viral Gap ad, there was no denim in sight. There were, however, clear overriding themes: satiny black fabrics and doses of sparkle. Within the brief, each member’s outfit stood apart from — but somehow spoke to — the others.

Manon Bannerman and Megan Meiyok Skiendiel put differing spins on conical bras as outerwear, one peeking from under a blazer and the other over a figure-hugging dress. Lara Raj’s bejeweled headpiece and shoes offset the more immediate shimmer of Daniela Avanzini’s crystal-adorned tulle dress. And Yoonchae Jeung’s knee-high boots and sweetheart neckline almost inverted the proportions of Sophia Laforteza’s structured dress.